How To Remove ANYTHING From a Photo In Photoshop
How To Remove ANYTHING From a Photo In Photoshop

In this video, I’m going to show you how to
remove anything from a photo in Photoshop. Hi. I’m Jesus Ramirez from The Photoshop Training
Channel. In this video I’m going to show you how to
remove distracting elements from a photo, using three different techniques. The first two techniques will help you with
basic object removals. But with the third technique, we’re really
going to get our hands dirty and tackle a complicated task, but I’m going to divide
it up into small digestible chunks so that you can follow along. Okay, let’s get started. We’re going to work with this image, we have
a couple walking on the beach, and we have a photo bomber. And, if we wanted to remove this photobomber
from the photo, we could do so very, very easily. First, duplicate the layer to work nondestructively. You can press Ctrl J, Command J on the back,
and we can call that layer, “Edit.” Then you can select the lasso tool, and with
the lasso tool, we can just simply freehand a selection. So, we’re going to freehand a selection around
the photo bomber, and it doesn’t have to be very precise, as long as you go around her. But, having said that, try to keep as much
of the original background as you can. So, you can hold Alt, Option on the Mac, and
click and drag to subtract from the selection. And by the way, if you hold Shift, you add
to the selection. And once again, Alt, Option on the Mac, and
click and drag. You subtract from a selection. With a selection active, you can go into edit,
fill, and we’re going to select Content-Aware from the dropdown, and make sure that you
have Color Adaptation checked, and press okay. Then I’m going to press Ctrl D, Command D
to deselect. And notice that almost like magic, Photoshop
removes that photo bomber. And the way that the Content-Aware technology
works is by analyzing the pixels that are surrounding the selection, and it uses that
information to generate the pixels that are going to go inside of that selection. So, Photoshop does a great job in guessing
what would be behind this person. And this technique works best with a simple
background, like the one we have in this example. So that’s before, and after. And by the way, if you’re interested to find
out more about the Content-Aware technology, I made a series of videos dealing with all
the different tools that use Content-Aware, including the Content-Aware Fill. If you’re interested in watching that series,
I’ll post a link down below in the description. So, for the next example, we’re going to use
this image here of Venice, and I’m going to zoom in. And what we want to do is remove this group
of people that are sitting here. So, what I could do is I could try to do what
I just did, use a Content-Aware Fill. But as you will see, it won’t give us the
results that we’re looking for. So, let me just make a really quick selection,
and go into edit, fill, Content-Aware, and notice that Photoshop didn’t do that good
of a job this time. It included elements that I do not want to
have in the photo. So I’m going to press Ctrl Alt Z, Command
Alt Z on the Mac to undo. And, actually, to work non destructively,
I’m going to duplicate this layer. So, I’m going to press Ctrl J, Command J on
the Mac, and we’re going to use a different tool. And the tool that we’re going to use is this
tool here called the Patch Tool, which is nested under the Spot Healing Brush Tool. Also, make sure that normal and source are
selected. Then I’m going to click-and-drag and make
a selection around the pixels that I want to replace. With the selection active, I’m going to zoom
out and look for an area to sample from. So, it looks like this area is very similar
to the area where they’re sitting on, so I’m going to click and drag over to that side. And you can see the preview inside of the
selection, and I can try to match it as best as I can. When I’m happy with the area, I can just release,
and then press Ctrl D, Command D to deselect. And notice that Photoshop did a much better
job. The reason that I didn’t select this side
here, is that there’s a shadow from this lamp post, so I didn’t want to duplicate that. The edit wasn’t perfect, and it was mainly
because I didn’t drop the selection in the right area. So, I can try that again, let me click and
drag, and just try to get a better closer match. So maybe something like that. Ctrl D, Command D to deselect, so that looks
much better. The bricks align better. There’s issues like this area here, but we
could easily fix these issues by just using the patch tool on those specific areas. Then I can double click on the hand tool to
zoom out, and you can see the before, and the after. Another tool that I want to show you before
we move on into the more complicated example is the Clone Stamp Tool, which simply allows
you to paint in duplicate pixels from another area. So, with that tool selected I’m going to zoom
in and create a new layer to work non destructively. And, with this layer, I can make sure that
current and below are selected, or all layers. It really doesn’t matter in this example,
so I’ll leave it on current and below. Then, I can just select areas to copy pixels
from. So if I wanted to remove this lamp post, I
can start maybe in this corner here, and then use the bracket keys on the keyboard to increase
the size of my brush, and I can try to align what I just copied, what I just sampled, this
area here, and align it to the other window, and then I can paint in those pixels like
so. And I know I’m getting a little of the shadow,
but that’s okay. Then I can sample from a different area, maybe
this area here, and line it as best as I can, and paint away the rest of the lamp like so. And I’m not going to spend too much time on
this example because the example that I really want to show you is the one after this. But you can see how you can start painting
things away nondestructively using the Clone Stamp Tool. And, this is basically what we did in just
a couple minutes. Really quickly, we were able to remove that
lamp post. And, there’s a couple details there that,
again, we’re not going to spend the time on now because I want to spend more time in the
next example. So, we’re going to work with this image here,
and what we’re trying to do is remove the truck from the background. So, first of all, we want to work nondestructively,
so I’m going to press Ctrl J, Command J on the Mac twice to duplicate the layer two times. The layer on top will be the model, and the
layer below that will be the background. And just like with a lot of things in Photoshop,
I like to separate my elements so that they’re easier to control. So, even though we’re going to work with a
single image, we’re still going to use different layers to control different elements, and
I think that makes it easier to work with. So, now that we have these two layers set
up, I’m going to select my model layer, and then click on the quick selection tool. You can click and drag and make a selection
around the model. If you’re working with Photoshop CC and newer,
you can click on Select Subject while the quick selection tool is selected, and Photoshop
will make a selection based on whatever it thinks the main subject is. In this case, the model. And Photoshop does a fairly good job. It’s not going to be perfect, you can click
and drag to add to the selection, and you can also subtract from the selection by holding
Alt Option on the Mac, and clicking on areas that shouldn’t be selected, like these areas
there. And by the way, the selection doesn’t need
to be perfect. As long as you mask out the areas near the
distractive object, you should be fine. I’m going to zoom in and just make sure that
it selected the bracelet, I didn’t miss one piece. But overall, it did a really good job. I’m going to create a Layer Mask, and now
we have a layer that just contains the model. And now, we’re going to create a layer that
only contains the background. To do so, I’m going to use the model Layer
Mask. So, I’m going to hold Ctrl, that’s Command
on the Mac, and click on the Layer Mask thumbnail to load the Layer Mask as a selection. Notice that my model layer is disabled, and
I’m going to select the background layer. With the background layer selected. I’m going to go into select, modify, expand. And this is going to make my mask larger. And I’m going to expand it by five pixels,
but this may be different for you depending on the size of your photo. This is a fairly large image, so I’m using
five pixels. In some cases, you may need two, or maybe
even three. So, we’ll go for five in this case. But the point is, that now I have that space
in between my subject and the background. With the background selected, I’m going to
hold Shift and backspace to bring up the fill window. Then under contents, I’m going to select Content-Aware,
make sure the Color Adaptation is checked, and press okay. And Photoshop is going to remove the model
from this photo. It’s not going to do a perfect job, but that’s
okay. We’re going to continue building upon this
background, to just create a clean background for our model. So, we have a background and a model layer. What I’m going to do now is look at my photo,
look at the pixels that I need to replace, then look at the pixels in the photo that
I can use to clone, copy, or somehow use to cover the car. So, right off the bat I’m noticing that I
have these columns here. One column, two, three, four, and five. And this column, we can pretty much use the
whole thing. Then we have these windows, so I’m probably
going to use this window here to replicate it at least three times, to use in these three
areas. Then we have this sign, I’m not really sure
what that is, but it looks like some sort of advert. But, we can copy it, and place it on the other
side. Then we also have to duplicate parts of the
street. And I’ll start there, ’cause I think that’s
the easiest place to start. And that’s what you have to do in your photo,
look at the contents, and see what you can take, and duplicate. I’m just going to create a selection using
the Rectangular Marquee Tool. Then I’m going to press Ctrl J, Command J
on the Mac, to duplicate that. So now, I have this duplicate. One thing that I should have mentioned, and
I’ll undo that so you can see it, is that when I selected the Rectangular Marquee Tool,
I had a feather of three pixels. That means that the edges will not be sharp,
they’re going to be blurry, three pixels. And I left that value on purpose because I
don’t want sharp edges. I want smooth edges, so when I copy something,
and I paste it somewhere else, I won’t see that sharp edge. So, once again, Ctrl J, Command J to duplicate. And I have that piece right there, and I’m
going to move it over to this side. Now obviously, the colors don’t match, but
we can fix that. I can create a Levels Adjustment Layer, clip
it to the layer below it so that the only thing the levels adjustment layer effects
is the strip right below it. So, notice how, if I make an adjustment, it
only affects that strip. So, I can click on the black point and drag
it to the right until that matches illuminance of that area. Then, with the Layer Mask selected, I can
press Ctrl I, Command I on the Mac, to invert to make the Layer Mask black, which will hide
the adjustment. Then, with the brush tool selected, you can
paint with white to reveal the effect only in certain areas. Then I can select both layers. If I hold Shift and click on both layers,
it selects them. Ctrl E, Command E on the Mac to merge into
one layer. So now, I can simply use the move tool, click
and drag to the right, to duplicate as I hold Alt. So when you hold Alt, and you have the move
tool selected, and you drag something, you will drag a duplicate. I’m going to hold Shift, click on the top
and bottom layer to select them all. Then I’m going to press Ctrl E, Command E
on the Mac, to merge the three layers into one. Then I’m going to create a Layer Mask, and
paint with black in these areas to reveal the original background. And if something needs to be a little bit
darker, like this area here, you can do what we did earlier, create a Levels Adjustment
Layer, make sure that it’s clipped. And, just make it darker, then select the
Layer Mask. Ctrl I, Command I to invert and paint with
white on the Layer Mask to reveal that effect in that area. Remember, Layer Mask, hide and reveal pixels. Black hides and white reveals. With an adjustment layer, you’re hiding the
adjustment, or revealing it. So, we’re painting with white to reveal that
adjustment. In this tutorial, I don’t need multiple layers,
so I’m going to merge down by pressing Ctrl E.
So now it’s one layer, and that’s good. Now we’re going to work on the windows, and
there’s something I want to show you. First, we’re going to create a new layer,
then select the Clone Stamp Tool, and we can copy this window. But watch what happens. If I hold Alt Option on the Mac and click,
it will set a clone source. That means that that’s the area that we’re
going to copy pixels from. And when you paint, it creates an exact copy,
as you would expect. We can actually change how the Clone Stamp
Tool copies pixels, we can invert those pixels horizontally, vertically, scale them, and
do all sorts of things. Let me show you what I mean by that. If you go into Window, Clone Source, you can
click on this button here to flip the clone horizontally. So that means that if I come in here and hold
Alt Option on the Mac, and click to sample from that point, notice how now it inverts
it horizontally, and I can paint horizontally. And you can see the target, that’s where I’m
sampling from. That little plus X icon that’s moving along
the paint brush. Not that if I go right, it moves left. If I move left, it goes right. That is because Photoshop inverts the sample
source horizontally, so it allows me to just paint in horizontally, like so. I’m going to double click on the hand tool. So that’s before, and after. What I’m going to do now is zoom in here and
continue working on this area. I’m, going to disable the flip, make the Clone
Stamp Tool smaller by tapping on the left bracket key on the keyboard, and I’m just
going to make sure that everything here looks right. And obviously, when you’re working on your
image, spend a little more time working on the details. So, there we go, that’s before and after. What I can do now is, make a copy of this
area here, edit, copy merge, edit, paste. And just move it to the right, right about
here. And I can just merge these onto a layer. So, we have one layer there. And let me zoom in, and I’m going to select
the Clone Stamp Tool, and I’m going to use it to fix this middle column. So, I’m going to sample from the column next
to it by holding Alt, clicking, and then start painting on the other side. And remember that it doesn’t need to be perfect
because some of these areas are going to be covered by the model. See? And I’m going to drag the windows layer below
the road layer, that way the road helps cover some of those pixels. So, actually, you know what? What I’ll do is I’m just going to select both
these layers, and just press Ctrl E, Command E on the Mac, just to put them in one single
layer. Now I’ll work on the sidewalk, so I’ll hold
Alt, and click to sample from this area. And then paint away these imperfections. I’m going fairly fast, just to try to get
through all of it in a reasonable amount of time. So, you can see how it’s starting to look
much, much better already. And, for this part, I’m just going to duplicate
this area. So, I’m going to select it with the Rectangular
Marquee Tool, and I’m holding Shift to add to the selection. And then go into edit, copy merge, edit, and
paste. And move this over to the other side. Bring down the opacity, and then move it left
and right accordingly, using the arrow keys on the keyboard. Increase the opacity to 100%, and hold Alt,
Option on the Mac, and it goes away. So, when you hold Alt, Option on the Mac,
and create a new Layer Mask, the Layer Mask becomes black, so it hides all the contents. Then you can select the brush tool and paint
with white when you want to reveal those areas, like so. Don’t want to reveal the entire layer, just
certain areas; I think it looks better. I’m going to merge all the layers together,
so I’ll hold Shift, click on them to select them. When they’re selected I’ll press Control E
to merge them into one layer. Now let’s focus on the remaining pillars. That is a very simple job; we can simply select
pixels to clone from and continue cloning. It’s just a repetitive task. I’m not going to spend too much time and be
perfect. You can be perfect on your images. But you can see that even going fairly quickly
here; I’m getting really good results. And I’m sampling from that area, and then
just cloning in pixels like so. I’m going to zoom out, and it looks like I
missed one piece right here. When I do this type of work, usually I have
my left hand on the Alt key, and I’m sampling fro many different places and painting. So that’s before and after. This is what it looks like without the model. And what I’m going to do now is merge this
layer onto the layer below, so now we have just a single background layer. And notice how the reflections keep repeating
themselves. One thing that you can do to fix a problem
like this is to select the clone stamp tool, and just copy areas, and paint over the areas
that are obvious that are repeating, like in this panel here. And again, in your image, spend a little more
time duplicating things, and seeing what pixels repeat, and just get rid of those. But in this tutorial, I’m not going to spend
too much time on that. So, I’m going to zoom out, and now we’re going
to work on the Layer Mask or the model layer. But before we do that, we need to remember
where the car was; it was in this area here. So, I’m going to select everything, then press
Ctrl G, Command G on the Mac, to put those layers into a group, and I’ll call it, “Edit. ” Then I’ll create a Layer Mask, and I’ll
paint with black to reveal the original pixels found in the background. I’m doing so because I don’t want to keep
using the pixels that I duplicated over and over again because it’ll be obvious that it’s
a duplicate. So, I’m trying to use as many of the original
pixels as possible. The areas where we have the car, obviously
that’s the areas that we really want to fine-tune the selection. So, the only areas that I really want to focus on are the areas that are really close to the model there. And, I’m going to do that in the model layer. So in the model layer, I’m going to hide these
pixels away. And obviously, this is where you want to spend
a lot of your time fine-tuning the selection so that it’s more believable. And this is why I like this method because
I can paint with black on that Layer Mask, hide the edges, and the background comes through. So those are the basic steps for removing
a distracting object from a photo. Please let me know in the comments below what
you learned by watching this video, and don’t forget to click on that subscribe,
and notification buttons. Thank you so much for watching,
and I’ll see you in the next tutorial.

100 thoughts on “How To Remove ANYTHING From a Photo In Photoshop”

  1. It4int0v3r seriously says:

    Most of this stuff can be done with paint :/

  2. Prinny_626 says:


  3. DIRTBIKER SWE says:

    You forget remove her skirt.

  4. Ter says:

    My brain hurts now

  5. BeeBee says:

    I pretty sure Stalin saw this video

  6. HUUUUUURRRR says:

    First example: Use the crop tool

  7. Pushen the Cat says:

    Please tell me what app u use
    And Please answer

  8. Gempakz Gile says:

    thank you for sharing this knowledge !

  9. Ducknesss says:

    good tutoril but gees im confused about photoshop

  10. REALonLenz says:

    Good educational video. Thank you.

  11. Drum Ape says:

    Yes, but can you remove her dress?

  12. No Bozos says:

    That first technique doesn't work that well. You can see the fix if you know what you're looking for.

  13. giannis gmr says:

    1.5 k photobombers disliked this video

  14. Mohamad shafiq asraf says:

    This was a basic actually

  15. Mohamad shafiq asraf says:

    This was a basic actually

  16. Pasha Ak says:

    Приятно вспомнить общагу универа , но вы допустили эННое количество ошибок – в частности отражения и преломления света. как -то так.
    Только для новичков.

  17. rooboy69 says:

    Next week i will show you the "fix photo" feature on Photoshop that will use AI to fix everything all at once

  18. KSA says:

    Can you remove that girl skirt ?

  19. Malte133 says:

    When i did this 14 years ago it was way harder 😀 i wish i had the tool 🙂

  20. Ken Masters says:

    Rly interesting and helpful, thanks a lot!

    But to "fix" those pictures is just as easy, because everything in those pictures is straight.
    What if the picture does not have total horizontal lines?

    Also, when it rly gets interesting how you would work out the problem, you're saying "but in this tutorial, I'm not gonna spend too much time on that".

    Is there another tutorial to those specific pictures, especially the last one with the car in the background?

  21. Focho says:

    does he ever blink during the intro?

  22. StealthyMonk says:

    How to remove her dress ? I'm too cheap to buy her alcohol.

  23. Tim Vels says:

    That last tutorial was a killer! Amazing once you know the methods and tools work you can create wonders!

  24. Headrock says:

    "Just use fill with content-aware."


  25. sparda9060 says:

    This is why fake news and deepfakes exist…… Its way too fucking easy to do this now as they have simplified the process so much for the user…. Its scary as hell….

  26. Ng John says:

    Try to remove a photo from a photo on Photoshop

  27. Ga N says:

    thank you. even more awesome would be if you could assume that apple users will know what to press and stop this disturbing double wording. it really makes – at least me – crazy. 😉

  28. Wicked Gamer & Collector says:

    I subbed to you channel, I can learn a lot from you 🙂

  29. TTH 1220 says:

    what about her dress? Just for learning purposes

  30. Eazy says:

    Thank you, very interesting tutorial and very useful. Photoshop give us a lot of tools to make that as easy as possible

  31. Luksaas says:

    how to remove clothes 😏🤤

  32. Darren Vaast says:

    Couldn't you use the MINIMIZE filter I saw in another of your videos to refine the edge of the model mask? Wouldn't that be easier? Why did you expand the mask by 5 pixels if you delete them anyway at the end? Your videos are really informative and you've shown me things I've never seen before and have helped to make my editing much more efficient. Thank you!

  33. blake mason says:

    the biggest distracting object on this video is your face… is there a way to remove that using photoshop?

  34. Egidijus Šatkauskas says:

    Thank you for this great video!

  35. A v A t A Evangelist says:

    2. 1. c. m. a. g. i. c.

  36. Jenn M says:

    Cool I'm going to try this this evening

  37. Lovekumar Singh Kushwah says:

    When i use patch it smudges color.
    Please Help

  38. Max Baker says:

    Hello. I just wanted to thank you for this video tutorial, and commend you not only as a Photoshop pro, but also as a content creator. I had absolute zero experience with PS, and was already able to test some of the knowledge I gained from you here. Thank you for making it so easy to understand, follow and digest. You have a subscriber here.


    0:03 look at windows, nice

  40. Evaneos 17 says:

    Such a good teacher really , Thanks alot

  41. Multitalent Video says:

    Super knowledge dear…

  42. 김쓰리 says:

    I'm korean…
    best player…you..

  43. Ancient Mew says:

    Which version of Photoshop was this introduced? I only have access to CS2 which doesn't have content aware 🙁

  44. Apoca88 says:

    The reflection from the car in the window is tripping me up though. There is no car, but yet there is one.

  45. Wombat says:

    What i learned from this video:
    Let the car pass, before you take the photo.

  46. DrRestezi says:

    You're a great teacher. I didn't catch everything on the first view, but at least you never said, "…this next part is easy". I hate it when other ps teachers say something is going to be easy–like the pen tool, for example. Aaarghh! It's not easy, folks! Photoshop is not easy! I

    love that you clearly explain and show every step of an action. A lot of tutors will invariably skip a small but essential step, thereby throwing up a brick wall to any further progress. Subscribed!

  47. Max Kay says:

    Why my CS6 doesn't have the color Adaptation?

  48. YOGESH S says:

    thank you

  49. urdu words says:

    remove object from photo. best photoshop work. <a href=""> remove object from photo </a>

  50. Delving In says:

    Thanks! Great tutorial! It was MUCH EASIER than I thought! 🙂

  51. BootchGames says:

    jesus christ good video man

  52. joseffani says:

    its been a year i manually erase using erase tool

  53. Mas Bangla says:

    It's a very helpful video to learn. Thanks

  54. Mees van Mens says:

    This video just showerd up in my recommended lol. I figured I may needed it, since I only know how to copy paste transparent pictures lol. Thanks Keep doing this!

  55. Alex Nevi says:

    Now in GIMP!

  56. Aggro says:

    I dont use PS at all. Still curious how things are done.

  57. miamiwax says:

    Where were u when George Kostanza needed this? Smh

  58. Johan Swanepoel says:


  59. Tanner's Meme Edits says:

    wow I did it and it worked well also I did it on a shadow and it also worked

  60. Dan Jeory says:

    Thanks Jesús, some really useful tips there.

  61. Mouad Ouartassi says:

    i just felt like a pro in photoshop watching those couple minutes !!!

  62. Kevin Pantoja says:

    what app is he using what is the name

  63. GlitchyFilms says:

    finally now i can make a yotube template 🙂

  64. rmGuera says:

    Pity you can't photoshop your "kind grin". Work, work, work – 'believable enough' will come (you'll know how to smile! Miracle! … we'll applaud, eh…)

  65. ** says:

    "foDo" or Frodo?!? – LOL!!! —>phoTo!!!

  66. Rochelle Gordon says:

    Hey I don't have color adaptation as an option in my content-aware thingy

  67. Stefanie Sheppard says:

    Thank you! Your video is awesome. I am stubborn and always want to figure things out but with photoshop I become confused sometimes. Your tutorial is clear and easy to follow. I can't wait to use more of your videos!

  68. Beast Bas says:

    Fill wont work

  69. Zyner Creative says:

    Great trick, one problem. In the mirrors one can easily tell that the cars in the window reflection are the same except rotated. Would be more difficult to tell if different cars would be placed instead. Same thing for the ones with the poster. Would be better if it was red and another blurred out poster to look more real.

  70. Daniel Zoń says:

    Perfect video, Thank you very much

  71. Miedzia says:

    How to remove anything from a photo in Photoshop?

    I recommend using a paint bucket in paint (;

  72. Aykut Turgut says:

    Come from facebook this is amazing 🙂

  73. Efren Casillan says:

    Wow! quickly done easy techniques…thanks so much for this tips hahah very easy coz i am familiarized with tools you used.

  74. Eka Shofwan Pratama says:

    I very need this!!

  75. Osman Ay says:

    man you are really the only one on youtube which explains things so fucking easy! Love it! to the point and not too much into the mechanics about why things work the way they work. We are all busy and you explain things so easy that I can use it fast!

  76. A I Sourav says:

    WOW! Now it gets easier. Thanks

  77. Kassia Oaks says:

    When I did the selection, FILL is not an available option on the list under the edit tab. (it won't let me click Fill)

  78. rasha hossam says:

    when i release the drag the selection appears again even i press Ctrl d , how does it work out?

  79. Henry Brenton says:

    Thanks for the great demo but i am finding i have a bit of problems getting rid of the halo properly , cutting too much into the subject or not enough or getting broken pixels. Any idea what i am doing wrong?

  80. 9temah says:

  81. Miyu Miyu says:

    Thank you so much, blackmailing has never been as effective. Your video really made my business grow.
    Now to edit Trump and a mexican kissing and scam my way to the whitehouse.

  82. Ultra Mix v/ says:

    5:14 ???????

  83. Ben Goldwerger says:

    but can u remove a photo from a photo???????????????????

  84. Adam Grey says:

    When hitting shift delete for the fill box it tells me "could not complete your request because the smart object is not directly editable". Anyone know how to fix that? Sorry new to both the Mac and Photoshop

  85. Shamaoun Shahid says:


  86. Robin Bhairam says:

    Fantastic … can’t wait to try this! Thanks 😊

  87. The Innocent says:

    Mom: Son, what are you doing?

    Me: I'm learning new magic.

  88. ThePresumptuous _ says:

    me: uses za hando

  89. ปริญญา เอ้งฉ้วน says:

    thank bro

  90. Jemi Soerya says:

    Can we do this on the smartphone? I used to edit photo using Picsart in my phone

  91. AshqanHabib says:

    Thank you teacher ,I'm glad to watch your video

  92. Vince Lymburn says:

    Great info! That content aware option is LIFE!

  93. Rishab Gupta says:

    hi Team PTC,
    can you please guide me that in the third example, how can we remove the girl instead of the truck in the background.
    Because i'm stuck in a scenario where i need to keep the background intact not the object.

    Waiting for your reply,
    Thanks 🙂

  94. Tam Urao Jr. says:

    I've been using Ps for quite a while now but removing backgrounds or objects in it has been something I always avoid because I can't do it. I didn't know it was this easy.

  95. Obi N says:

    poor girl😂

  96. Sham Rathi says:

    Thank You … I was going to buy inPixio software … Thanks again

  97. Ken shiin says:

    Thank you soo much for sharing your experience. Easy to learn.

  98. bertha acosta says:

    What app or website is this?

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